Pandora Vaughan is based in London.
Selected exhibitions, projects. commissions:
2019
SWAP Editions, Creekside Projects, London. Edition No.4 : BREX-kit
30/30 for 12oCollective, London
2018
Genesis Light Magic- w/ PeerSocial St John’s, Bethnal Green, London
Artquest Peer Forum Award at Cubitt Gallery, London w/ selected group
Airspace Gallery, Stoke-On-Trent, The Brownfield Research Project contributor
BBM e.V. Unbesandten, Germany - 4 month forest installation for Wilde,Welt,Wald
30/30 for 12oCollective, London
2017
The Horse Hospital, London, Out of Space - solo exhibition
LCN Showcase, [Space] Hackney
Grrrr!2 Truth Machine, London NW5
2016
John Kilduff's Art Basil, Los Angeles, As Grrrr! w/ Cathy Ward
Grrr! at the ArtHouse, Wakefield, Yorkshire
Grrr! Gallery pop up project w/ Siân Pattenden, London
Parc Pawb, Tremadog - community play area, a V&O project
The Courtyard Centre for the Arts, Hereford - joint show w/ Joe Carcary
Maindee Triangle, Newport, a V&O community design project
2015
Creekside Open 2015, selected by Richard Deacon, APT Gallery, London
Lubomirov / Angus-Hughes Gallery, London Summer Salon,
Participant in ‘MEMORY FACTORY’ performance for Spatial Re-enactments, Hackney Wick
2013-14
Panorama, print & textile works, Porth Y Swnt, National Trust, Wales
Interpretation strategy & design, Porth Y Swnt, National Trust, Wales, a V&O project
2010 - 2012
Underground Gallery, London w/ Penny Rimbaud, Dominic Thackray & Gee Vaucher,
Landscape design for Ellis Williams Architects, Welsh National Sailing & Events Centre, Pwllheli (a V&O project)
External Learning Space, Bishop of Winchester School, Bournemouth (a V&O project)
Small Tales Big City, with KeelerTornero, Lemon Monkey, London
2004-08
Landscape, sculpture, exhibition design - Canolfan Cywain, Bala, Wales (V&O project)
Janus Path, Llyn Cwellyn, Snowdonia National Park, Wales (V&O project)
Cinders Gallery, Brooklyn, NY - Move #15, curated by Rich Jacobs
Sensing the Land commission: 2 bridges, Langport, Somerset
11 Minutes, installation series with Nova, Brunel 200, Bristol
96 Gillespie, London, Heartfelt - group show
Rhyl Museum re-design, Denbighshire, Wales (V&O project)
A Haunting, University of Salford, Manchester
96 Gillespie, London Prospector - solo show
The Honiton Diamonds (commission) Thelma Hulbert Gallery, Honiton, Devon
Sherpa Bus Shelters, Snowdonia National Park, Wales (a V&O project)
Carnesky's Ghost Train - development, London, with Marisa Carnesky
study
MA Landscape Architecture, University of Greenwich
MA Art In Architecture, University of East London
BFA Fine Art, Painting, minor: Art History, Nova Scotia College of Art and Design, Canada
w/ Joint Hons Painting/Metalwork Camberwell College of Art, London
Working with confined & isolated spaces, some nostalgic, some futuristic, some internal, some imposed. Recently transient habitations and emotional spaces have been the focus of her installations. There is a continuing interest in land use, power and the occasional failure of collective memory in the public realm. She likes to use vernacular traditions and techniques for the social history they represent and the way they can speak to a wider audience.
2019
SWAP Editions, Creekside Projects, London. Edition No.4 : BREX-kit
30/30 for 12oCollective, London
2018
Genesis Light Magic- w/ PeerSocial St John’s, Bethnal Green, London
Artquest Peer Forum Award at Cubitt Gallery, London w/ selected group
Airspace Gallery, Stoke-On-Trent, The Brownfield Research Project contributor
BBM e.V. Unbesandten, Germany - 4 month forest installation for Wilde,Welt,Wald
30/30 for 12oCollective, London
2017
The Horse Hospital, London, Out of Space - solo exhibition
LCN Showcase, [Space] Hackney
Grrrr!2 Truth Machine, London NW5
2016
John Kilduff's Art Basil, Los Angeles, As Grrrr! w/ Cathy Ward
Grrr! at the ArtHouse, Wakefield, Yorkshire
Grrr! Gallery pop up project w/ Siân Pattenden, London
Parc Pawb, Tremadog - community play area, a V&O project
The Courtyard Centre for the Arts, Hereford - joint show w/ Joe Carcary
Maindee Triangle, Newport, a V&O community design project
2015
Creekside Open 2015, selected by Richard Deacon, APT Gallery, London
Lubomirov / Angus-Hughes Gallery, London Summer Salon,
Participant in ‘MEMORY FACTORY’ performance for Spatial Re-enactments, Hackney Wick
2013-14
Panorama, print & textile works, Porth Y Swnt, National Trust, Wales
Interpretation strategy & design, Porth Y Swnt, National Trust, Wales, a V&O project
2010 - 2012
Underground Gallery, London w/ Penny Rimbaud, Dominic Thackray & Gee Vaucher,
Landscape design for Ellis Williams Architects, Welsh National Sailing & Events Centre, Pwllheli (a V&O project)
External Learning Space, Bishop of Winchester School, Bournemouth (a V&O project)
Small Tales Big City, with KeelerTornero, Lemon Monkey, London
2004-08
Landscape, sculpture, exhibition design - Canolfan Cywain, Bala, Wales (V&O project)
Janus Path, Llyn Cwellyn, Snowdonia National Park, Wales (V&O project)
Cinders Gallery, Brooklyn, NY - Move #15, curated by Rich Jacobs
Sensing the Land commission: 2 bridges, Langport, Somerset
11 Minutes, installation series with Nova, Brunel 200, Bristol
96 Gillespie, London, Heartfelt - group show
Rhyl Museum re-design, Denbighshire, Wales (V&O project)
A Haunting, University of Salford, Manchester
96 Gillespie, London Prospector - solo show
The Honiton Diamonds (commission) Thelma Hulbert Gallery, Honiton, Devon
Sherpa Bus Shelters, Snowdonia National Park, Wales (a V&O project)
Carnesky's Ghost Train - development, London, with Marisa Carnesky
study
MA Landscape Architecture, University of Greenwich
MA Art In Architecture, University of East London
BFA Fine Art, Painting, minor: Art History, Nova Scotia College of Art and Design, Canada
w/ Joint Hons Painting/Metalwork Camberwell College of Art, London
Working with confined & isolated spaces, some nostalgic, some futuristic, some internal, some imposed. Recently transient habitations and emotional spaces have been the focus of her installations. There is a continuing interest in land use, power and the occasional failure of collective memory in the public realm. She likes to use vernacular traditions and techniques for the social history they represent and the way they can speak to a wider audience.